Showing posts with label music collections. Show all posts
Showing posts with label music collections. Show all posts

Thursday, March 31, 2011

Now that they've seen Paree!


It was 122 years ago this week, on March 31, 1889, that the Eiffel Tower is dedicated in Paris in a ceremony presided over by the tower's designer, Gustave Eiffel. Among the dignitaries were the French Prime Minister Pierre Tirard and over 200 construction workers -- the men who risked their lives to build the tower.


These two images of the Eiffel Tower are from a photo album/scrap book belonging to Dr. Herman and Mattie Hesse. The album contains picture postcards and photographs from the Hesses' trip to Europe aboard the S.S. Berlin in the summer of 1930. These souvenir cards are typical of the items sold near the tower. This photo album is part of the W.S. Hoole Special Collections Library's extensive photograph collections. While the name may sound familiar, it is not the same (Nobel Prize-winning) Hermann Hesse of Siddhartha and Steppenwolf fame!



The remarkable landmark structure of the Eiffel Tower plays a role in the mystique and draw of Paris as the ultimate destination --- signifying decadence, exoticism, and elegance among other things.

Sheet music from the Wade Hall Sheet Music Collection offers incredible insight into the sounds of eras gone by. The piece featured above is housed in the Hoole Library, and is included in our rich digital collections -- the piece is available here: http://acumen.lib.ua.edu/u0004_0000002_0001605

This World War I era hit, How Ya Gonna Keep 'em Down on the Farm (After they've seen Paree) really says it all. Paris at the end of the first World War and in the 1920s was in stark contrast to rural life in America.

This wartime hit continued to be sung and performed and remained popular through the 1930s and 1940s. It was performed in the World War II era classic film, For Me and My Gal, by none other than Judy Garland!

Here are a few versions for your listening pleasure -- one from the 1910s, one from the 1930s, one from the 1940s, and two more "modern" versions in banjo and "barbershop"!









Tuesday, November 10, 2009

The Late Great Johnny Ace!


On 11/11/09, Dr. Jim Salem will give a talk and highlight his research on early Rock 'n' Roll legend, Johnny Ace. This talk, along with an exhibit of Ace materials, is in celebration of Dr. Salem's gift of his research to The W.S. Hoole Special Collections Library. The talk will be at the Hoole Library at 5 pm. The exhibit will be on display for the next few months.

These materials, now known as the James M. Salem Research Materials on the Late Great Johnny Ace and the Transition from R&B to Rock ‘n’ Roll are highlighted in the exhibit, and include photographs, LPs, documents, and artifacts. The collection also includes a wealth of interviews with those associated with Ace, and copies of articles focusing on popular culture of the 1950s, and much more -- and will be a great asset to scholars interested in American Popular Music, and Cultural Studies. Thank you, Dr. Salem for this wonderful gift!


Wednesday, June 10, 2009

A Night (to remember) at the Opry, June 11, 1949

Hank Williams Country Music Folio
Acuff-Rose Music, Nashville, Tennessee, 1948
From the Wade Hall Sheet Music Collection


It's hard to believe that the musical icon and Alabama native Hank Williams (September 17, 1923 – January 1, 1953) was only twenty-nine years old when he passed away. He left a catalog behind that a performer who lived one hundred years would envy.

June 11, 1949 marks the sixtieth anniversary of Hank Williams' very first appearance on the Grand Ole Opry, where he performed two of his many, many legendary hits, Lovesick Blues and Mind your Own Business.






Here's a taste of his magic on the Opry stage -- a little bit grainy, but you get the idea.

The Hoole Special Collections Library has a significant collection of sheet music and sound recordings from Alabama's myriad of musical royalty. The Hoole Library also has significant holdings including published and manuscript materials by authors and scholars who explore Alabama's rich musical history. In 2005, the Hoole Library hosted one such author, Alabama native Paul Hemphill, whose book Lovesick Blues: The Life of Hank Williams (Viking, 2005) was featured in the NYTimes Book Review (written by none other than Garrison Keillor) the very week he came to the Hoole Library!

Flier from Paul Hemphill talk, 2005.
A small exhibit of Hank Williams materials was featured
in conjunction with this event at the Hoole Library.


Hank Williams is without a doubt a songwriting and performing legend. He established himself in an all-too-brief life as a pioneer and inspiration for generations to come, and is considered one of the most important songwriters of the 20th century. Not only does his name live on with his son, daughter and grandchildren, who all work as professional musicians, but his songs live on with countless covers, tributes, and homages to his unmistakable style.

Friday, February 13, 2009

Robert Loveman: Poem, Song, and a little Jewish History Too!

On Valentine's Day, who better to talk about than a guy whose name screams all things romantic. A poet with a name like Loveman? You couldn't make this stuff up.

Robert Loveman (April 11, 1864 - July 9, 1923) was a well-known 19th and early 20th c. American poet. He is largely unknown today but in his time, he was widely read and appreciated.

And like so many who came before and after him, he arrived in Tuscaloosa to study at The University of Alabama. The year was 1888.

While living in Tuscaloosa, he resided with the Friedman family in th
eir beautiful home on Greensboro Avenue, now known as the historic Battle-Friedman House. Bernard Friedman, one of the earliest Jewish settlers in Tuscaloosa, was in business with the Loveman family of New York and Dalton, Georgia. The Friedmans and Lovemans were also related through marriage.


Battle-Friedman home (Then known as the Alfred Battle House, built 1835)
(silver gelatin print by Sydnia Keene-Smith, ca. 1929) and accessible at http://www.lib.ua.edu/digital


While Loveman's time in Tuscaloosa was short, it was productive. It was during his years at The University of Alabama he wrote his famous "Rain Song" poem, inspired by the gardens surrounding the house. That poem later served as the inspiration for the famed Al Jolson song "April Showers."


Loveman's song "Georgia", with music by Lollie Belle Wylie, was the official state song of Georgia before 1979 (when it was replaced by "Georgia on My Mind"). A biographical study by our namesake, William Stanley Hoole, It's Raining Violets: The Life and Poetry of Robert Loveman, was published in 1981. The image of the sheet music above is from the Wade Hall Sheet Music Collections.

The Loveman materials featured here are a recent gift of Carole Wellington, the great granddaughter of a dear friend of Robert Loveman, Dr. Robert John Henderson. Dr. Henderson was a professor at the Georgia State Teachers College. Thank you, Ms. Wellington!

These items are a welcome addition to the Hoole Library collections on Loveman which include published materials and a manuscript collection. (Finding aid accessible at
http://www.lib.ua.edu/content/findingaids/pdf/ms_0879.pdf)


Advertisment for Loveman's books

Letter and envelope from Mr. Loveman to his friend Mr. Loach.

Title page of The Blushful South and Hippocrene
by Robert Loveman (Lippincott, 1909)



Here is the original recording by Al Jolson from 1921.



Here is an especially lovely version of April Showers by none other than the Velvet Fog himself, Mel Torme.




The Loveman materials are featured in the exhibit, Campus meets Town meets all Around: Glimpses at Tuscaloosa's Jewish Community from the Hoole Library Collections held in conjunction with the 7th Annual Jewish Cultural Festival, held each year in Tuscaloosa. The exhibit is in the lobby of the Hoole Library, and features interesting information about the Jewish community -- on campus and in the city itself dating from the 1860s to the present. Here's to Loveman and to Love!

Monday, September 29, 2008

1968: The Year that Changed the World


Exhibit poster for 1968: The Year that Changed the World
- inspired by Thomas Wolfe's Electric Kool-Aid Acid Test (1968)


A new exhibit from the collections of the W.S. Hoole Special Collections Library is now available -- 1968: The Year that Changed the World is an opportunity to reflect on this important time through the lens of the materials in the Hoole Library. Forty years after 1968, we still look upon that year as a pivotal one in the worlds of politics, culture, art, music, literature, and life.

Through our print collections, sound recordings, and more, this exhibit offers some insight into life both on the UA campus and in the world during 1968.


1968 Corolla (Detail) of Afro-American Society

1968 brought Robert Kennedy to campus as part of the Emphasis program in March of 1968, just three months before he was assassinated. 1968 was the year the first African-American student association was established on campus, and this year marks the 40th anniversary.


Assorted buttons - detail from 1968 Corolla

The exhibit is far-reaching, looking at art, music, literature, campus life, culture, war, and many of the things that were on the minds of students and others 40 years ago.

Soundtrack of the 1968 musical, Hair!

The exhibit also features some materials currently on loan and donated by UA alum Janet Stevenson, who was a student at The University of Alabama in the late 1960s and early 1970s. We even have her Fall 1968 calendar on display! This exhibit also features a few of the many, many LPs from the collection of UA History professor John Beeler, who was quick to loan some of the most important albums of 1968 to include in the exhibit.


Lumpy Gravy by Frank Zappa (1968)

To get a sense of campus life in 1968, come to see the exhibit! And if you want a real blast from the past, be sure to visit our digital collections which feature the 1968 Corolla as well as a full array of the talks and the program from Emphasis '68.

This exhibit was developed with graduate student, Audrey Coleman from the department of American Studies. Please join us in commemorating the 40 year anniversary of such an important year. We hope to have an event in December to "let the sunshine in".... stay tuned. Peace.

Sunday, August 17, 2008

Remembering the King (and the man who crowned him)


Elvis passed away 31 years ago yesterday. This photograph was taken in 1974 in Memorial Coliseum (now Coleman Coliseum) on The University of Alabama campus and is part of our vast holdings of University photographs, a component of The University of Alabama's archives which as housed at the Hoole Library. These photographs range in scope to include campus buildings and scenes, specific events, and everything in between.  We have made some of the photographs available in our digital collections, and are continuously adding more.  This group of digital materials is called The University of Alabama Encyclopedia

Elvis Presley played at UA twice in the 1970s -- and he wasn't alone. The campus attracted huge acts, especially in the 1950s through the 1970s including the Rolling Stones, the Who, Jimi Hendrix, Ray Charles, and many, many more.  In the earlier years, concerts were held in Foster Auditorium, and later at the Coluseum. Tuscaloosa's spot between Atlanta and New Orleans made it an ideal venue for these kinds of performances. 

While we remember the King, it's not a bad idea to think about the man who made him what he was. That man was Sam Phillips. He moved from his native Florence, Alabama to Memphis, and opened a recording studio where he worked with Blues pioneers and made some of the very first Rock and Roll recordings.  The image of this current historic marker which stands in Florence, Alabama is courtesy of biologist and Florence native, Stuart McGregor. 

Phillips got his start as a DJ in Muscle Shoals, Alabama and relocated to Memphis in 1950 where he opened the Memphis Recording Service.  He also launched his own record label, Sun Records, where he recorded Elvis and many others. 

Phillips is credited by many as not only with discovering Elvis Presley, but also recording the first Rock and Roll record,  "Rocket 88" by a band called Jackie Brenston and his Delta Cats. That band was led by none other than Clarksville, Mississippi native Ike Turner. 

Materials about Sam Phillips, Elvis Presley, Memphis blues, music, and much more are available in the Hoole Library's Wade Hall Collection of Southern History and Culture.