Thursday, July 9, 2009

The man behind the album covers: Remembering the Artist Tom Wilkes




Elite Hotel (LP 12978, 1975) and
Blue Kentucky Girl
(LP 9615, 1979)
Covers by Tom Wilkes
From the Wade Hall Sound Recordings Collections

The award winning artist, designer and photographer Tom Wilkes passed away last week. He leaves behind a massive catalog of album covers -- work that he did over a career that spanned more than four decades and includes these two covers by Alabama native, Emmylou Harris.

Wilkes made his name as the Art Director for the Monterey International Pop Festival in 1967, creating iconic psychedelic images that forever branded the festival in our memories and our imaginations. He went on to a long and successful career that brought us album covers such as the Flying Burrito Brothers' Gilded Palace of Sin, and Beggars Banquet by the Rolling Stones. His creative genius will be missed, but will surely live on.



Let's celebrate once again Alabama's amazing musical legacy with Emmylou Harris, from the album Elite Hotel -- Together Again.

Not Running with the Bulls, but Sailing with the Cow's Head

The famed San Fermin Festival and the "running of the bulls" in Pamplona, Spain is held at this time every year. Whatever one may think about this long-practiced tradition, there is one thing that all can agree upon -- the festival brings people to Pamplona from all over the world and has captured the imagination of writers like Hemingway, as well as people who may only write about the experience on a picture postcard. And speaking of travelers and bovines.....


Alvar Nunez Cabeza de Vaca
was born at Jerez de la Frontera (c.1490-c.1557) in Andalusia, Spain. His journey is one of the most amazing and personal accounts of exploration in the Americas. Alvar Nunez joined the expedition of Narvaez to Florida in 1526. As treasurer, and one of the chief officers, of the Narváez expedition, Cabeza de Vaca and three others were the only survivors of the party of 300 men who landed near Tampa Bay, Florida on April 15, 1528.

A map from the same period from the Hoole Library (gift of the Warner family)
Americae sive novi orbis nova descriptio
Ortelius, 1570
G3290 1570 O7x
Visit http://www.lib.ua.edu/content/libraries/hoole/digital/warner/ to see more!


Over the course of eight years, various members of the expedition succumbed to disease, starvation, exposure, and the attacks of various Native American groups as they slowly made their way west, toward Mexico becoming the first Europeans to travel across the North American Continent.

Returning to Spain in 1537, he obtained the post of Governor of the Rio De La Plata region (Argentina, Paraguay and Uruguay), he went in 1541. Cabeza de Vaca was a trustworthy subaltern, but not fit for independent command. His men rebelled against him in 1543, took him prisoner, and sent him back to Spain, where for eight years he was kept in captivity. The date of his death is unknown, but it is stated that he ended his days in Seville, where he occupied an honorable and modestly lucrative position in connection with the American trade.

His chronicle of these travels, often referred to as Naufragios, contains a strong dose of emotive elements destined to elevate the central figure of the narration, , to a superior level, achieving with this technique that the reader, identifying with the protagonist, will accept a large part of the fiction that has been poured into the text. A fundamental factor in this process is not simply the novelistic content of the work, but the ability of Cabeza de Vaca to present events that, even if they were real, in many instances are surrounded by a supernatural halo.

The story of his first trials in America as a member of the expedition of Narvaez, which was published in Valladolid on 1555 by Francisco Fernandez de Cordoba. It has been translated numerous times into other languages, including English and French.

The Hoole Library holds the first French edition, Relation et Naufrages, which was by the Librarie de la Société de de Géographie de Paris in 1837. There is hardly a work on early travel history of North or South America where Cabeza de Vaca is not named or referenced heavily.


Title page of the first French translation of Nunez's work,
published in 1837.


This book shows his accounting to the King Carlos V about the expedition from the moment they departed Spain until he returned and his numerous and colorful reflections on the voyage. This work represents one of the great examples of early Travel Writing, where the words and descriptions take us beyond history to a world through his eyes.

En Español:

Naufragios, contiene una fuerte dosis de elementos destinados a elevar la figura central de la narracion, alcanzando con esta tecnica que el lector se identifique con el protagonist aceptando sin darse cuenta mucha de la ficcion incluida en el relato. Un factor fundamental en este proceso no solamente es el contenido novelistico de Cabeza de Vaca, pero su abilidad al presentar eventos, que si fueran reales en muchas instancias estarian rodeados de un aire o significado supernatural. Este libro representa las cronicas o relatos de Cabeza de Vaca al Rey Carlos V, incluyendo algunas reflexiones de lo acontecido, hay que notar que estas cronicas no fueron escritas hasta que Cabeza de Vaca llego a Espana en 1537. Para muchos estos relatos y las reflexiones que le siguen representan un buen ejemplo del comienzo, de lo que en la actualidad se conoce como “Travel writing”, donde las palabras y descripciones nos llevan mas alla de la historia, hechos o descripciones a un mundo a traves de los ojos del escritor.

Read more here:
Cabeza de Vaca, Álvar Núñez: The Narrative of Cabeza De Vaca. Translation of La Relacion by Rolena Adorno and Patrick Charles Pautz.
Howard, David A. (1997). Conquistador in Chains: Cabeza de Vaca and the Indians of the Americas. (E125.N9H68)

See this edition in Google books: Relation et Naufrages by Alvar Cabeza de Vaca, French Edition 1837 ( E125.N9)

So, why Cabeza de Vaca? Why not. Well, also because we want to welcome a new staffmember to Hoole -- Luis Boggio, who is working with our foreign language rare books. He wanted to share a little bit of what he thinks is cool@hoole. Luis is a native of Uruguay and new to The University of Alabama. He brings an exciting new dynamic to the library with his background in Spanish and Italian and his great love for travel. Bienvenido, Luis!

Bonus points if you tell us where the very interesting and unflattering name of "cow's head" came from? Cool indeed.

Wednesday, July 1, 2009

Ahead of the curve: the anniversary of prohibition in Alabama

(front)

(detail)

(back)
Alabama Prohibition Postcard, sent 1909


This bold political statement, in the form of a picture postcard from the Hoole collections, was sent to an Alabama voter in 1909. It urged "Mr. Voter" to vote for statewide prohibition in Alabama. While statewide prohibition did not go into effect until July 1, 1915, it is interesting to note that the ban of alcohol became state law in Alabama nearly five years before the Volstead Act (the national reinforcement of a ban on alcohol, most commonly known as "Prohibition") was passed in 1919.

An added point of interest with this postcard is that it is addressed to "Mr. Voter" -- this was written over a decade before the passing of the 19th amendment, granting women the right to vote, stating that "the right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex. Congress shall have power to enforce this article by appropriate legislation". There were no Mrs. or Miss Voters until 1920. Ms. Voter came along a little later. So did zip codes. And a stamp that costs more than one cent. We've come a long way, baby.

Wednesday, June 10, 2009

"...and walk through a door that leads to opportunity for others.”


“There will come a day in your life when you must act for others–your family, perhaps your community–and you must be ready. What you have done to reach this milestone today is part of that preparation. So take from all the books you have read, all the lessons you have learned, the certain knowledge that one day, any day, you must be bold, have courage, and walk through a door that leads to opportunity for others.”

-- Vivian Malone Jones (class of 1965), in her commencement speech to the UA class of 2000

June 11 marks the anniversary of the successful integration of The University of Alabama. It was on that day in 1963 that Vivian Malone and James Hood registered for classes in Foster Auditorium. On that day, all eyes were on our campus, witnessing both a "stand" and more importantly a profound and bold act of courage.

Two short years later, Ms. Malone graduated from The University of Alabama, and featured above is a page from the 1965 University of Alabama yearbook, the Corolla with her senior picture, along with thirty-one of her classmates (she is the face in the third row from the top and in the third column from the left). It's impossible to measure just what went it took to be just another face on a page in that yearbook. Ms. Malone's being "just another senior" in the graduating class of 1965, forty-four short years ago, is something worth recognizing, pondering, commemorating.

The entire 1965 Corolla (volume 73) is available online through our digital program and was made possible by Shirley Dowling McCrary as part of the
University Libraries' Corolla Digital Initiative.

In addition, a full run (1893-present) of the Corollas are available to browse in the Hoole Library's Gandrud Reading Room. An exhibit of Corollas is currently on display in Gorgas Library on the 2nd floor in the Pearce foyer. If you are interested in sponsoring the digitization of a Corolla, please contact us.

A Night (to remember) at the Opry, June 11, 1949

Hank Williams Country Music Folio
Acuff-Rose Music, Nashville, Tennessee, 1948
From the Wade Hall Sheet Music Collection


It's hard to believe that the musical icon and Alabama native Hank Williams (September 17, 1923 – January 1, 1953) was only twenty-nine years old when he passed away. He left a catalog behind that a performer who lived one hundred years would envy.

June 11, 1949 marks the sixtieth anniversary of Hank Williams' very first appearance on the Grand Ole Opry, where he performed two of his many, many legendary hits, Lovesick Blues and Mind your Own Business.






Here's a taste of his magic on the Opry stage -- a little bit grainy, but you get the idea.

The Hoole Special Collections Library has a significant collection of sheet music and sound recordings from Alabama's myriad of musical royalty. The Hoole Library also has significant holdings including published and manuscript materials by authors and scholars who explore Alabama's rich musical history. In 2005, the Hoole Library hosted one such author, Alabama native Paul Hemphill, whose book Lovesick Blues: The Life of Hank Williams (Viking, 2005) was featured in the NYTimes Book Review (written by none other than Garrison Keillor) the very week he came to the Hoole Library!

Flier from Paul Hemphill talk, 2005.
A small exhibit of Hank Williams materials was featured
in conjunction with this event at the Hoole Library.


Hank Williams is without a doubt a songwriting and performing legend. He established himself in an all-too-brief life as a pioneer and inspiration for generations to come, and is considered one of the most important songwriters of the 20th century. Not only does his name live on with his son, daughter and grandchildren, who all work as professional musicians, but his songs live on with countless covers, tributes, and homages to his unmistakable style.

Monday, April 20, 2009

Roland Harper and his Photographs - A Slice of Alabama Life


Roland Harper with camera


Roland Harper in full field gear with hound

Today in Gorgas Library room 205, Elizabeth Findley Shores will talk about her book, On Harper's Trail: Roland McMillan Harper, Pioneering Botanist of the Southern Coastal Plain (UGA Press, 2009). Shores's work on Harper took place primarily at the Hoole Library, where his extensive personal papers are held.

Roland Harper was a field botanist by profession, and took countless photographs during his long professional life. He worked most of his life at the Geological Survey of Alabama in Tuscaloosa.

Born August 11, 1878 in Farmington, Maine, he moved to Georgia with his family in 1887. While earning an engineering degree from the University of Georgia, Harper took his first botany class and became an avid student of local flora.

In 1899, Harper entered the Botany program at Columbia University and earned his PhD in 1905. His work in documenting the fauna of the Southeast was extensive. And he was an interesting and complicated man.

We have a small exhibit of images from his collection in Gorgas Library on the 2nd floor. A larger exhibit of Roland Harper materials will be on display in the Hoole Special Collections Library beginning in May. Here are a couple of interesting photographs from the collection. We hope to see you in Gorgas 205 today to hear Elizabeth Shores talk about Harper!



Root Cellar

People and gator, ca. 1920s.

Wednesday, April 8, 2009

Up from History: A Lecture on the Life of Booker T. Washington

pba00977
Up from Slavery
(J. L. Nichols and Co., 1901)


pba001870
The Story of My Life and Work
(J. L. Nichols and Company, 1900)
Featuring an image of the Tuskegee Institute, Tuskegee, Alabama

pba00976
Working with the Hands: Being a Sequel to Up from Slavery, Covering the
Author's Experiences in Industrial Training at Tuskegee

(Doubleday, Page and Co., 1904)

Tomorrow, April 9, 2009 at 4 pm in Gorgas Library room 205, Dr. Robert J. Norrell will present the lecture, Up from History: Resurrecting Booker T. Washington's Historical Reputation.

Norell is the Bernadotte Schmidt Chair of Excellence in the Department of History at the University of Tennessee. Norrell previously taught in the Department of History at The University of Alabama. His latest book, Up From History: The Life of Booker T. Washington (Belknap Press, 2009) has received great acclaim and reviews.

Featured here are a few of Booker T. Washington's works from the Hoole Special Collections Library. They, along with 15 other of his works were included in the Publishers' Bindings Online, 1815-1930: The Art of Books. A gallery and essay on Washington is also included in the project.

Please join us to learn more about this fascinating and important American pioneer! A signing and reception will follow the talk. Co-sponsored by the Summersell Center for the Study of the South, The University of Alabama Libraries, and the generous support of Dr. Lakey and Susan Tolbert.