Showing posts with label wade hall collection of southern history and culture. Show all posts
Showing posts with label wade hall collection of southern history and culture. Show all posts

Sunday, September 23, 2012

Whereas, on the twenty-second day of September...A Proclamation





Detail from Abe Lincoln's yarns and stories : a complete collection of the funny and witty anecdotes that made Lincoln famous as America's greatest story teller (Publishers' Bindings Online, and from the Wade Hall Collections of Southern History and Culture)

On September 22, 1862, President Abraham Lincoln signed the Emancipation Proclamation, which went into effect on January 1 of 1863.  This historic and immensely significant document is not just something to read about in a textbook, but it is something to experience.  To better understand history, we must take advantage of the primary sources around us, looking beyond interpretation of the past. Newspapers and journals from the period provide unique insight into the sentiment of the day, allowing researchers to look at the world through someone else's eyes.  Editorials, political cartoons, and coverage from different parts of the country will show subtle and not so subtle differences in views. Special Collections Libraries and rich digital resources of primary materials allow you to do this.  So come by, or go online, and take a look at the newspaper and journal coverage of historic events.  A small display of the coverage of the Emancipation Proclamation is on display in the lobby of the Hoole Library -- without interpretation.  Come by, and read a little bit.  Or Visit the National Archives website to see digitized pages of the original proclamation. You'll be glad you did! 




"And upon this act, sincerely believed to be an act of justice, warranted by the Constitution, upon military necessity, I invoke the considerate judgment of mankind, and the gracious favor of Almighty God."    --Abraham Lincoln, Emancipation Proclamation
 







Monday, December 12, 2011

Two Kinds of Santas!


Both on publishers' bindings, and both in glorious green cloth.
The Old Santa Fe Trail (Macmillan Co., 1898, from the Hoole Richard Minsky Collection) and A Captured Santa Claus (Charles Scribner's Sons, 1905, from the Wade Hall Collection of Southern History and Culture) Both of these books are included in the award-winning digital project, Publishers' Bindings Online, 1815-1930: The Art of Books.

Thursday, September 29, 2011

New Hoole Hours!

Twelve striking sermons
Louisville, Kentucky: Pentecostal Publishing Company, 1918
From the Wade Hall Collection of Southern History and Culture

and featured in Publishers' Bindings Online, 1815-1930: The Art of Books


Beginning on Monday, 10/3/2011,
the W.S. Hoole Special Collections Library
will be open:

Monday, Wednesday & Friday from 9 am - 5 pm

and extended hours on Tuesday & Thursday from 9 am - 9 pm.


We look forward to your visit!


Friday, May 13, 2011

Makes your eyes light up. Your tummy say, "Howdy!"



Stove Pilot. Eleventh Edition, September, 1955. Alabama Collection. TX 715.U54


A couple of pages from the fantastic community cookbook, Stove Pilot, part of the Hoole Library's Alabama Collection and in the Wade Hall Collection of Southern History and Culture. Stove Pilot was done in several editions, compiled by the Women's Club at Maxwell Air Force Base in Montgomery, Alabama for the benefit of overseas recovery. The recipes are enchanting and humorous and the drawings are even better. The recipes for Shoo-Fly Pie and Apple Pan Dowdy are side by side, and in the right order -- making those of us who are old enough to remember, or those artificially aged by our professions to hum a little tune made famous (??) by Dinah Shore, Ella Fitzgerald and June Christy. So if you are thinking about baking this weekend, no cake! Go to the oven and make some ever-lovin'....

"I never get enough of that wonderful stuff!"



Old Timey Summer Fun!





These images, all from the Wade Hall Photographs Collection, and all available online in our Digital Collections give us just a little taste of summertime nostalgia. Take the time to take a swim, or a boat ride, go on a picnic, play with your dog, or go for a drive and stop for a BBQ sandwich -- or a 40 cent Southern fried chicken platter (the "Pig Stand" featured above was in Binghamton, New York)!! Enjoy!



Thursday, January 27, 2011

Saying So Long to a son of Sand Mountain, Charlie Louvin


Charlie Louvin, born Charles Elzer Loudermilk on July 7, 1927, passed away yesterday, January 26, 2011. A native of Jackson County, Alabama, the furthest county in the Northeast of the state, the Louvin brothers (Ira and Charlie) began their career in Gospel music in the 1940s. Ira was killed in 1965 in an automobile accident, but not before releasing over a dozen albums. Charlie went on to a solo career that lasted the rest of his life, and the brothers are 2001 inductees to the Country Music Hall of Fame.

Charlie Louvin, and the Louvin Brothers will live on in their music, which to many transcended the religious messages. Oddly, they are most often remembered for their shocking 1959 album cover for Satan is Real. Widely considered one of the "worst" and "most iconic" album covers of all time, it features the Louvin brothers standing in front of a quarry in front of a giant plywood Devil, while hidden tires soaked in kerosene burn behind them as fire & brimstone.

Critic Scott Walden called the Louvins bluegrass music's Velvet Underground and said "their comprehension of the tortured throes of a drunkard's Satan-infested soul are no less profound than Lou Reed's own understanding of a heroin junkie wrestling with a world devoid of meaning beyond the piercing tip of the needle... The depth is there in Satan is Real. This album transcends the immediate kitsch appeal of its cover. There is a reason why songs from this album have been performed by the more commonly accepted genius of artists such Gram Parsons, Johnny Cash, and Emmylou Harris."

The Hoole Library does not have this album, but would welcome someone to donate it to the collections! (hint hint!)

Rest in Peace, Mr. Louvin.

Friday, January 21, 2011

Happy Belated, Mr. E.A. Poe!

The Raven by Edgar Allan Poe
1893, New York, New York: E. P. Dutton and Company
From the Wade Hall Collection of Southern History and Culture
and Publishers' Bindings Online, 1815-1930: The Art of Books

The Raven by Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door -
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" -
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door -
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered -
Till I scarcely more than muttered, "other friends have flown before -
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his Hope that melancholy burden bore
Of 'Never - nevermore'."

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee - by these angels he hath sent thee
Respite - respite and nepenthe, from thy memories of Lenore:
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil! - prophet still, if bird or devil! -
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted- tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore -
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."

"Be that word our sign in parting, bird or fiend," I shrieked, upstarting -
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!

Friday, June 4, 2010

The Alabama Slide!



The Alabama Slide -- A Fox Trot (1915)
from the Wade Hall Collection of Southern History and Culture. Accessible through the University Libraries Digital Collections!

Cool@Hoole is back from a semester-long hiatus! So glad to be back -- and looking forward to sharing some really, really cool things with you!

Wednesday, December 23, 2009

Adventures! Adventures!, or See you in May!

Sword and pen ; or, Ventures and adventures of Willard Glazier, in war and literature : comprising incidents and reminiscences of his childhood, his chequered life as a student and teacher, and his remarkable career as a soldier and author : embracing also the story of his unprecedented journey from ocean to ocean on horseback by John Algernon Owens (Philadelphia, P.W. Ziegler, 1881). pba02001, from the Wade Hall Collection of Southern History and Culture, Hoole Special Collections Library, The University of Alabama.


The coming months will have me fighting, with sword and pen (mostly pen -- well actually mouse and keyboard) as I research and write the book I have been working on. I will be on sabbatical leave and will return to Hoole, and to Cool@Hoole on Monday, May 17, 2010. Don't forget about this blog -- and have a healthy and happy new year! -- Jessica Lacher-Feldman

Tuesday, October 27, 2009

Tell us your favortite Southern Novel!


A Tennessee Judge: A Novel, by Opie Read (Chicago: Laird and Lee, 1893).

It probably isn't this page turner by Opie Read, but we have it the Hoole! Please send us a note with your favorite Southern novel, and tell us why you think it's cool, and who knows, we might just exhibit it in our new exhibit - FAVORITE SOUTHERN NOVELS!

We also welcome your information about Alabama authors, new and old! Send me an email at jlfeldma@ua.edu if you know of an author that we might not yet be aware of!

Wednesday, April 8, 2009

Up from History: A Lecture on the Life of Booker T. Washington

pba00977
Up from Slavery
(J. L. Nichols and Co., 1901)


pba001870
The Story of My Life and Work
(J. L. Nichols and Company, 1900)
Featuring an image of the Tuskegee Institute, Tuskegee, Alabama

pba00976
Working with the Hands: Being a Sequel to Up from Slavery, Covering the
Author's Experiences in Industrial Training at Tuskegee

(Doubleday, Page and Co., 1904)

Tomorrow, April 9, 2009 at 4 pm in Gorgas Library room 205, Dr. Robert J. Norrell will present the lecture, Up from History: Resurrecting Booker T. Washington's Historical Reputation.

Norell is the Bernadotte Schmidt Chair of Excellence in the Department of History at the University of Tennessee. Norrell previously taught in the Department of History at The University of Alabama. His latest book, Up From History: The Life of Booker T. Washington (Belknap Press, 2009) has received great acclaim and reviews.

Featured here are a few of Booker T. Washington's works from the Hoole Special Collections Library. They, along with 15 other of his works were included in the Publishers' Bindings Online, 1815-1930: The Art of Books. A gallery and essay on Washington is also included in the project.

Please join us to learn more about this fascinating and important American pioneer! A signing and reception will follow the talk. Co-sponsored by the Summersell Center for the Study of the South, The University of Alabama Libraries, and the generous support of Dr. Lakey and Susan Tolbert.

Thursday, February 12, 2009

Lincoln on Publishers' Bindings: Selections from the Wade Hall Collection of Southern History and Culture




Here are just a few of the 19th and early 20th c. books on Abraham Lincoln from the Wade Hall Collection of Southern History and Culture. They are also featured in our ground-breaking collaborative digital project, Publishers' Bindings Online, 1815-1930: The Art of Books.

A short piece on Lincoln was done for the PBO project that features a gallery of Lincoln-related volumes in PBO, as well as a brief biography. It can be accessed here.

Enjoy these beautiful bindings as we celebrate the 200th anniversary of President Lincoln's birth, February 12, 1809. And it also happens to be the birthday of the donor of these books --- and much more. Happy birthday to Dr. Wade Hall!

Wednesday, September 3, 2008

Cotton Dethroned!

98 years ago today, on September 3, 1910, the boll weevil (Anthonomus grandis) was first discovered on Alabama soil. The unbelievable devastation the boll weevil caused to cotton crops throughout the South was the catalyst for diversifying agriculture in Alabama, ultimately dethroning "King Cotton" in favor of other crops like peanuts, soybeans and timber.


The book featured here is one of many from Publishers' Bindings Online, 1815-1930: The Art of Books that feature cotton as a design element, decoration, ornament or motif. Here are a few more for your perusal... some very realistic, some beautifully stylized. To look at over 5000 more books and lots more, visit PBO!




An impressive, albeit strangely wonderful statue dedicated to the boll weevil stands in Enterprise, Alabama.

Sunday, August 17, 2008

Remembering the King (and the man who crowned him)


Elvis passed away 31 years ago yesterday. This photograph was taken in 1974 in Memorial Coliseum (now Coleman Coliseum) on The University of Alabama campus and is part of our vast holdings of University photographs, a component of The University of Alabama's archives which as housed at the Hoole Library. These photographs range in scope to include campus buildings and scenes, specific events, and everything in between.  We have made some of the photographs available in our digital collections, and are continuously adding more.  This group of digital materials is called The University of Alabama Encyclopedia. 

Elvis Presley played at UA twice in the 1970s -- and he wasn't alone. The campus attracted huge acts, especially in the 1950s through the 1970s including the Rolling Stones, the Who, Jimi Hendrix, Ray Charles, and many, many more.  In the earlier years, concerts were held in Foster Auditorium, and later at the Coluseum. Tuscaloosa's spot between Atlanta and New Orleans made it an ideal venue for these kinds of performances. 

While we remember the King, it's not a bad idea to think about the man who made him what he was. That man was Sam Phillips. He moved from his native Florence, Alabama to Memphis, and opened a recording studio where he worked with Blues pioneers and made some of the very first Rock and Roll recordings.  The image of this current historic marker which stands in Florence, Alabama is courtesy of biologist and Florence native, Stuart McGregor. 

Phillips got his start as a DJ in Muscle Shoals, Alabama and relocated to Memphis in 1950 where he opened the Memphis Recording Service.  He also launched his own record label, Sun Records, where he recorded Elvis and many others. 

Phillips is credited by many as not only with discovering Elvis Presley, but also recording the first Rock and Roll record,  "Rocket 88" by a band called Jackie Brenston and his Delta Cats. That band was led by none other than Clarksville, Mississippi native Ike Turner. 

Materials about Sam Phillips, Elvis Presley, Memphis blues, music, and much more are available in the Hoole Library's Wade Hall Collection of Southern History and Culture.




Wednesday, June 25, 2008

A Lucky Birthday for Alabama's Eddie Floyd -- Knock on Wood!


Happy Birthday to Alabama-born soul singer and songwriter Eddie Floyd. Eddie Floyd was born Eddie Lee Floyd on June 25, 1935 in Montgomery, Alabama and though he has an album coming out next month -- his first in six years-- he is probably best known for his work on the Memphis-based Stax Records label in the 1960s and 1970s - first as a songwriter, then as a surprise mega-hit singer!


Growing up in Detroit, Michigan, Floyd founded the the group The Falcons, which was a forerunner to future Detroit vocal groups such as one of the most famous Detroit bands (who got their start in their native Birmingham, Alabama!), The Temptations.

The 1959 hit by the Falcons, You're So Fine has been said by some to have been the first true Soul song. Wilson Pickett (yet another Alabamian -- he hailed from Prattville) was later recruited into the group and sang lead on the group's next success, I Found a Love. Pickett left shortly after to begin a a solo career, and The Falcons disbanded.

Floyd signed on with Stax Records as a songwriter in 1965. He wrote some hit songs including Comfort me, and also worked as a songwriting team with guitarist Steve Cropper to write songs for Wilson Pickett, who by now was signed to Atlantic Records (Atlantic distributed Stax). The Pickett recording sessions were a great success and yielded several hit songs, including the Floyd co-written Ninety-Nine and a Half (Won't Do) and 634-5789 (Soulsville USA).

In 1966, Floyd wrote the song Knock on Wood, and recorded it himself though it had been intended for Otis Redding. Music producer Jerry Wexler convinced Stax president Jim Stewart to release Eddie Floyd's recording of the song and Knock On Wood launched a solo career that has spanned over four decades.

Knock on Wood is one of those remarkable songs that has a life of its own -- having been recorded by over one hundred different artists including David Bowie, Count Basie, Cher, and Ike and Tina Turner. The song became a #1 Disco hit for the recording artist Amii Stewart in 1979. Here are a few versions - including Eddie Floyd's, Amii Stewart's version and a couple of others for your entertainment. And be sure to visit the Hoole Library to learn more about Alabama's incredibly diverse and rich musical history -- the images featured here are from items the Wade Hall Collection of Southern History and Culture and the Ed Hall Sound Recordings Collection. Here's to a very cool birthday, Mr. Floyd -- and good luck with your new album!
Please enjoy this mega-hit's legacy with versions by Mr. Floyd, two by Amii Stewart, Buddy Guy, Cher, James Last and David Bowie! (Note that while I can't embed the best one - which is from 1966 and probably from the television show, Hulabaloo, you can access it here: http://www.youtube.com/watch?v=jSH4Nk5bPcE)